IV–V–iii–vi progression in D major

GAF♯mBm

The IV–V–iii–vi chord progression in D major is a smooth and sophisticated sequence that uses G – A – F♯m – Bm. It's one of the cornerstone harmonic patterns of Pop — instantly familiar to listeners and effortless to play once you understand its structure.

This progression has a smooth and sophisticated character. It works beautifully for pop songs, but you'll also hear it across countless adjacent styles. Try it with steady eighth-note strumming, broken arpeggios or a four-on-the-floor rhythm to instantly change the feel.

Hear this progression

GAF♯mBm

Tempo: 90 BPMVolume: 75%Beats per chord: 4

Chords in this progression

These are the chords for the progression in D major. Click any chord to open its dedicated page with diagrams and theory.

Step	Roman numeral	Chord	Open
1	IV	G	Open chord page
2	V	A	Open chord page
3	iii	F♯m	Open chord page
4	vi	Bm	Open chord page

What this progression means

In D major, the IV–V–iii–vi progression places each chord on a specific scale degree. Roman numerals describe how the chords function regardless of the key you're in, while the actual chord symbols (G – A – F♯m – Bm) tell you exactly what to play on guitar, piano or any other instrument.

Each Roman numeral represents a chord built on a degree of the D major scale. Uppercase numerals (I, IV, V) are major chords; lowercase (ii, iii, vi) are minor; ° marks a diminished chord; ♭ in front of a numeral lowers the root by a half step (e.g. ♭VII).

Practice tips

Loop the progression slowly with a metronome at around 70 BPM. Once each change is comfortable, try arpeggiating the chords, then experiment with inversions, common-tone voicings and adding 7ths or 9ths to taste.

Variations and substitutions

You can extend this progression with secondary dominants (e.g. V/vi → vi), borrowed chords from the parallel minor, or by repeating one chord for multiple bars before moving on. These variations keep the progression fresh while preserving its core sound.

Famous songs with this progression

The IV–V–iii–vi progression is so common in Pop that countless songs use it as a foundation. Try playing your favorite tracks in D major and listen for the same chord motion.

If you like the IV–V–iii–vi progression in D major, you'll probably enjoy these closely related progressions. Some share the same key, others use the same Roman numeral pattern in a new key.

IV–V–iii–vi in C major

F – G – Em – Am

IV–V–iii–vi in C♯ major

F♯ – G♯ – Fm – A♯m

IV–V–iii–vi in E♭ major

A♭ – B♭ – Gm – Cm

IV–V–iii–vi in E major

A – B – G♯m – C♯m

IV–V–iii–vi in F major

B♭ – C – Am – Dm

IV–V–iii–vi in F♯ major

Frequently asked questions

What chords are in the IV–V–iii–vi progression in D major?

The IV–V–iii–vi progression in D major uses these chords: G – A – F♯m – Bm. Each chord corresponds to a specific scale degree, which is why the same Roman numerals can be transposed to any key.

What tempo and time signature work best for this progression?

IV–V–iii–vi works in a wide tempo range — typically 70–130 BPM in 4/4. Slower tempos give a ballad feel; faster ones make it feel like an upbeat pop track.

Why is this progression so popular?

IV–V–iii–vi packs strong harmonic motion into a short loop. It moves through tonic, predominant and dominant functions with a satisfying resolution, which makes it instantly memorable in Pop and many other styles.

Can I use the same chords in a different key?

Yes — Roman numerals like IV–V–iii–vi are key-independent. To play it in another key, just take the I, IV, V (and so on) chords of that key. Browse our progression pages in every root to see the chord names already worked out for you.

Keep exploring chord progressions

Use this progression in your own songs in D major or transpose it to any key with our tools.

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